DOYEON KIM

Born in South Korea, raised in Bali and now living in London, I am a visual communicator exploring identity and the mundane of everyday life. My work is greatly influenced by emotions and insights gathered from navigating three distinct cultures, inspiring me to highlight underrepresented stories through visual storytelling.

My creative process thrives on hands-on experimentation, bringing ideas to life across various mediums and collaborative endeavours. 
By blending multicultural influences with a strong narrative focus, I strive to create visually engaging designs that resonate on both personal and collective narratives.

Yoga and pottery are my go-to practices in my free time, and I’m always open to a matcha chat — whether it’s about opportunities, commissions, or simply sharing ideas with like-minded creatives!

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©️ 2025 DOYEON KIM All rights reserved.

The Tool House

In this project, I am focusing on the idea of a connection between humans and tools. How the tools we create, make an impact on what we create–like a never-ending cycle.

The dissertation aims to explore the connection between Humans and tools within the field of archaeology of design– focusing on the idea of how a specific tool is designed and chosen by us (by intention or not) makes an impact on us and eventually how tools surrounding us is a reflection of us.

The Tool House project consists of three parts: a Tool House (wooden house), a Human and Tool (a physical book) and a post- er. The Tool House shows the collection of tools I used in creating the book. The tools that impacted in creating of my dissertation, directly and indirectly. The poster lists all the tools used. The ‘book’ is my written dissertation as a form of tool–in this case, a book.​​​​​​​

2024Art Direction, Publishing, Dissertation